A question: right now, are we writing YA for teenagers, aged 12 through 19, or are we writing YA for those of us not-so-young-anymore adults who devour them? I don’t have an answer to this question, but it’s something to think about.
The short story narrates the moment when a dark door, long closed, is opened, when a forgotten error is unwittingly repeated, when the fabric of a life is revealed to have been woven from frail and dubious fiber over top of something unknowable and possibly very bad. — Michael Chabon, Maps and Legends: Reading and Writing Along the Borderlands
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